Search: Starring Romain Duris

The aerial shots of the forest and the believable transformations with feathers, wings, beaks and claws as well as fish scales, make for riveting viewing.

As technically accomplished as it might be, this is a ponderous and interminable experience.

These are the pigments of luminous cinema.

Jacques Audiard's film isn't intended as a replacement for Toback's wild-eyed and masterly [Fingers], but rather a deliberately assured take on the same material.

Romain Duris is excellent as the main character.

Erick Zonca is less interested in solving the mystery than in exploring the damaged psyches of Visconti and Bellaile.

Dans Paris is about love – between brothers, father, girlfriends – and suicide... adding dollops of languor and a good deal of sex.

Everything about the film is ill-judged, miscast and intellectually anorexic.

The humour bites your face. The popvid camera tricks are tempered by a storyline that demands attention.

The comedy is soft, the story’s predictable and the clichés line up like pretty little dolls.

Although we alight at many points of interest throughout the journey, we never stop long enough anywhere to explore.

From the opening credits, this is a visual treat.

The overkill threatens to bludgeon the much-loved book into an over-wrought exercise in style.

Sexuality, Francois Ozon's latest film declares, can be as complex as desiring another person can be simple.

Populaire benefits from a savvy script with multi-layered humour and from superb work by its stars.

A film you'll never forget.

Their adventures and scrapes and close encounters of the emotional kind are wittily chronicled in Xavier's short history of his life so far.

It's big, traditional, film-making, anchored in some quality performances.

Dumas may have provided the mettle but everyone here has sharpened it.